The SWP Writer-in-Residence Program supports an emerging female or non-binary playwright to bring an original adaptation of a classical work to the Spicy Witch stage


Meet our 2019 Writer-In-Residence: Gina Femia

Gina Femia has written 30 full-length plays, which include ALLOND(R)A (Winner: Leah Ryan Prize), The Mermaids' Parade (Semifinalist, The Relentless Award, Finalist, Princess Grace Award), REBELS TIL DEATH (Playwrights Horizons reading series), Annie and the Fat Man (Honorable Mention, The Kilroys), THIS HAPPENED ONCE AT THE ROMANCE DEPOT OFF THE I-87 IN WESTCHESTER (Workshop, Youngblood), Super, or, How Clark Graves Learned to Fly (semi-finalist The O’Neill and The Princess Grace Award), For The Love Of (Pride Films & Plays, Theatre of NOTE), We Are A Masterpiece (Nominated Outstanding Original Full-length play, NYIT Awards) and The Violet Sisters (Great Plains Theatre Conference).

Gina is a current member of Joust Theatre’s Writer’s Round Table and Project Y Writer's Group. She is a New Georges Affiliated Artist and a New York Madness Company Member, and has received residencies with P73’s Summer Residency, Powerhouse, NTI at the O’Neill, SPACE on Ryder Farm, and Fresh Ground Pepper.
MFA, Sarah Lawrence College (Lipkin Prize in Playwriting).

A Q&A With Gina

Why are you excited for the SWP Writer-in-Residence program?

It’s truly an honor to be chosen as this year’s Writer-in-Residence and I cannot wait to get to create something brand new with Spicy Witch Productions!!  I’ve been a longtime fan of their work and getting to work alongside them is a dream come true.  Something that drew me to this residency is the collaborative nature at its core.  I’m really excited to work with the ladies of SWP in order to choose the source material and to use it as a launching pad to making something powerful, poignant - and maybe even kinda magical.  I’m also a huge fan of challenges and venturing into the unknown - I have never created an adaptation before and am lucky to be able to do so with a company so well versed in it for my first experience.  

What are some themes, ideas, dreams, or challenges that you hope to explore during your residency?

I’m hoping to create some badass roles for women and to take a well-worn tale and turn it on its head while still remaining true to its core!  As much of my work features LGBT stories and characters, I am looking to include these voices in the play I write as well.  I also hope it’s fun - we all need some fun nowadays, maybe more than ever.    

What do you enjoy the most about adaptations of classical theater?

Classical theatre has passed the test of time; references are ingrained into the fabric of our social consciousness whether we consciously realize it or not.  Adaptations help us take what is timeless and look at it through a modern lens.  They allow us to say, "We love and know this thing, but how does it apply to today?"  In many ways, I think adaptations are more important than ever within this tumultuous political environment; people’s rights are being stripped away, people’s selves are being rejected, all in the name of politics, of what has been deemed as right and wrong.  I think we can take classical works and bring them to the present in order to have a human conversation about these present realities and I’m so excited to do that with SWP. 


Anything else you would like to share?

Have I mentioned I’m excited?  I’m excited.  I can’t wait to see what we all create.


The Writer-in-Residence Program

The Spicy Witch Productions Writer-in-Residence Program supports the work of an emerging playwright. Throughout the course of our season, the playwright works with SWP on an adaptation of a classical text, chosen collaboratively by the company and the playwright. Ideal candidates should be inspired by our mission to create theater that explores themes of gender and identity and to support female and non-binary artists. 

The writer-in-residence will develop their new play through a series of workshops, a public reading about half way through the process, and an optional company retreat. The world premiere will be produced by SWP, in repertory with the play's source material, in the spring. 

The developmental reading is a pivotal part of the Writer-in-Residence program, allowing the writer to present their new work to the public and receive feedback from an engaged and supportive audience. Click through the gallery to see photos from our past readings!


Past Writers-in-Residence

Iris Dauterman (2018)
Iris Dauterman is a playwright from San Luis Obispo, CA. She holds an MFA in Playwriting from Indiana University, and a BA in Drama from Bennington College. Her plays have been seen at Indiana University's At First Sight Festival of New Plays, Animus Theatre Company in Central Park, Berkshire Fringe Festival, the Massachusetts Museum of Contemporary Arts, Philadelphia Fringe Festival, and SWP. She is a two-time finalist for the Heideman Award. Iris is an adjunct instructor at Earlham College.
Kristin Slaney (2017)
Kristin is a playwright from Halifax, Nova Scotia currently living in NY. She is a Columbia MFA Playwriting graduate and a member of Ensemble Studio Theatre’s Youngblood. Her work has been produced and developed by EST, The Tank, The Flea, Columbia University, the University of Alberta, Dalhousie University, Ship’s Company Theatre, and others. Kristin has had writing residencies at the Banff Centre for the Arts, the Playwrights Atlantic Resource Centre, and the Writers Federation of Nova Scotia.
Annette Storckman (2016)
Annette Storckman is a New York based playwright and dramaturg. Playwriting Credits include Bonesetter: A Tragislasher (SWP); Assumptions (The New York City Icon Plays: Love in an Irish Pub); Hums and Flutters (New Paltz Players); Liverpool Trading (co-writer. Dixon Place Theatre); and 100 Days of 1 Minute Plays: Torture Project (Blog Project). Ms. Storckman holds a BA in English from SUNY New Paltz (2012). She is a partner with Theater Accident and is published with Indie Theatre.
Elle Anhorn (2015)
Elle Anhorn is a writer, actor and live performer. She is a graduate of Bishop’s University and Circle in the Square Theatre School. Past productions include The Cunt (SWP), The Body Issues of Judy MacDonald (Bishop’s University, 2010) - winner of the Archdeacon F. D. Scott prize in Creative Writing – and three shorts at the 45th St. Theatre (2012) as part of a showcase of new writers. Elle has also published several works in The Mitre, Canada’s longest-running literary journal.
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Fractured Atlas is a 501(c)(3) public charity. Contributions for the purposes of Spicy Witch Productions are tax-deductible to the extent permitted by law 

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